Portal:Music

The Music Portal

Music is the arrangement of sound to create some combination of form, harmony, melody, rhythm, or otherwise expressive content. Music is generally agreed to be a cultural universal that is present in all human societies. Definitions of music vary widely in substance and approach. While scholars agree that music is defined by a small number of specific elements, there is no consensus as to what these necessary elements are. Music is often characterized as a highly versatile medium for expressing human creativity. Diverse activities are involved in the creation of music, and are often divided into categories of composition, improvisation, and performance. Music may be performed using a wide variety of musical instruments, including the human voice. It can also be composed, sequenced, or otherwise produced to be indirectly played mechanically or electronically, such as via a music box, barrel organ, or digital audio workstation software on a computer.

Music often plays a key role in social events and religious ceremonies. The techniques of making music are often transmitted as part of a cultural tradition. Music is played in public and private contexts, highlighted at events such as festivals and concerts for various different types of ensembles. Music is used in the production of other media, such as in soundtracks to films, TV shows, operas, and video games.

Listening to music is a common means of entertainment. The culture surrounding music extends into areas of academic study, journalism, philosophy, psychology, and therapy. The music industry includes songwriters, performers, sound engineers, producers, tour organizers, distributors of instruments, accessories, and publishers of sheet music and recordings. Technology facilitating the recording and reproduction of music has historically included sheet music, microphones, phonographs, and tape machines, with playback of digital musics being a common use for MP3 players, CD players, and smartphones. (Full article...)

General images - load new batch

The following are images from various music-related articles on Wikipedia.

Image 1Clara and Robert Schumann (from History of music)
Image 2Pink Floyd (1973) performing The Dark Side of the Moon, a leading commercial success of the LP era (from Album era)
Image 3Musicians working in a recording studio (from Music industry)
Image 4J. S. Bach (from History of music)
Image 5An example of mechanically printed sheet music (from Music industry)
Image 6Stevie Wonder, among the era's innovative artists (from Album era)
Image 7The Japanese boy band Arashi, who had the world's best-selling album (5x20 All the Best!!) in 2019 (from Album era)
Image 8Alleluia nativitas by Perotin from the Codex Guelf.1099 (from History of music)
Image 9US vinyl sales in units, 1995–2020; while album sales overall declined, those in the vinyl format rose toward the end of the 2010s. (from Album era)
Image 10A studio engineer working with an audio mixer in a recording studio (from Music industry)
Image 11A Rhodes College student listening to the 1969 Yes LP on campus, c. 1970 (from Album era)
Image 12A live musical performance at Cologne Pride, 2013 (from Music industry)
Image 13A smartphone displaying playlists on Spotify, 2010. The streaming service became a dominant and redefining platform for music consumption through the decade. (from Album era)
Image 14Guillaume Du Fay (left), with Gilles Binchois (right) in a c. 1440 Illuminated manuscript copy of Martin le Franc's Le champion des dames (from History of music)
Image 15Drawing of the tablet with the Hymn to Nikkal (c. 1400 BCE), the oldest of the Hurrian songs (from History of music)
Image 16c. 379 CE Bas relief of Sassanid women playing the chang in Taq-e Bostan, Iran (from History of music)
Image 17A young couple listening to music on an iPod Mini, 2006 (from Album era)
Image 18The portable Discman CD player, which was released in 1984 and precipitated the displacement of LPs (from Album era)
Image 19An HMV record shop in Wakefield, England closing its operation in 2013 (from Album era)
Image 20Terracotta statue of a Parthian lute player (from History of music)
Image 21Sheet music for part of the Missa Papae Marcelli by Giovanni Pierluigi da Palestrina (from History of music)
Image 22Frank Sinatra (c. 1955), an early pop album artist (from Album era)
Image 23Notation indicating differing pitch, dynamics, articulation, and instrumentation (from Elements of music)
Image 24A radio broadcasting system from 1906 (from Music industry)
Image 25An LP record on a phonograph (from Album era)
Image 26The Rolling Stones in 1967 (from Album era)
Image 27Circular definition of "musicality" (from Elements of music)
Image 28The monumental Bianzhong of Marquis Yi of Zeng, c. 5th century BCE, from Hubei (from History of music)
Image 29An audience watching a concert (from Music industry)
Image 30As LPs fell out of favor to CDs, hip hop producers repurposed them as sampling sources, contributing to the development of record collecting. (from Album era)
Image 31The Bull Headed Lyre of Ur, found in the Royal Cemetery at Ur, is the best known of the ancient Lyres of Ur (from History of music)
Image 32Frances Densmore at the Smithsonian Institution in 1916 where she was recording Blackfoot chief Mountain Chief for the Bureau of American Ethnology. In this picture, Mountain Chief is listening to a recording. (from Music industry)
Image 33The Beatles (1964) have been credited by music historians for heralding the album era. (from Album era)
Image 34Platinum records by Elvis Presley, Prince, Madonna, Lynyrd Skynyrd, and Bruce Springsteen, at Julien's Auctions (from Album era)
Image 35A musician in a recording studio (from Music industry)
Image 36Taylor Swift, a longtime adherent to album-era rollouts, surprise-released her albums instead in 2020. (from Album era)
Image 37Kanye West (2007) emerged during the decade as an important hip-hop producer and album artist. (from Album era)
Image 38Beyoncé (2016) popularized the surprise-album strategy of the 2010s. (from Album era)
Image 39Two musicians of the Eastern Han Dynasty (25–220 CE), Shanghai Museum (from History of music)
Image 40A young man browsing through a record store in Bonn, West Germany, June 1988 (from Album era)
Image 41The logo for Apple Inc.'s online iTunes store, which sells digital files of songs and musical pieces–along with a range of other content, such as digital files of TV shows and movies (from Music industry)

Refresh with new selections below (purge)

Featured articles - load new batch

Featured articles are displayed here, which represent some of the best content on English Wikipedia.

Image 1

Side A of retail US single

"Like a Rolling Stone" is a song by the American singer-songwriter Bob Dylan, released on July 20, 1965, by Columbia Records. Its confrontational lyrics originated in an extended piece of verse Dylan wrote in June 1965, when he returned exhausted from a grueling tour of England. Dylan distilled this draft into four verses and a chorus. "Like a Rolling Stone" was recorded a few weeks later as part of the sessions for the forthcoming album Highway 61 Revisited as its opening track.

During a difficult two-day preproduction, Dylan struggled to find the essence of the song, which was demoed without success in ³
₄ time. A breakthrough was made when it was tried in a rock music format, and rookie session musician Al Kooper improvised the Hammond B2 organ riff which contributed to the track's signature sound. Columbia Records was unhappy with both the song's length at over six minutes and its heavy electric sound, and was hesitant to release it. It was only when, a month later, a copy was leaked to a new popular music club and heard by influential DJs that the song was put out as a single. Although radio stations were reluctant to play such a long track, "Like a Rolling Stone" reached No. 2 in the US Billboard charts (No. 1 in Cashbox) and became a worldwide hit. (Full article...)
Image 2
Here Is Mariah Carey, also known as Mariah Carey or This Is Mariah Carey, is the third video album by American singer Mariah Carey. It presents Carey performing live at Proctor's Theatre in Schenectady, New York, in July 1993, and also includes non-concert footage. Carey performs ten songs during the video; four are from her third studio album Music Box (1993), which Columbia Records commissioned Here Is Mariah Carey to promote. She is sporadically accompanied by a band, choir, dancers, and string musicians. In creating the stage for the performance, production designers sought inspiration from works by Boris Aronson and Josep Maria Jujol. Lawrence Jordan, who collaborated with Carey on previous occasions, directed the hour-long video.

Approximately 4,500 people attended tapings at Proctor's Theater, and 19 million watched it on television network NBC during its original broadcast on November 25, 1993. Columbia Music Video released it on VHS five days later to generally positive reviews from critics. Although they complimented Carey's voice, many felt the non-concert scenes were redundant. Here Is Mariah Carey peaked at number four on the United States video album chart published by Billboard. Earning a Platinum certification from the Recording Industry Association of America, it was one of the best-selling video albums of 1994 and 1995 in that country. The video also spent six weeks at number one on the Official Charts Company's music videos chart in the United Kingdom. (Full article...)
$Image 3 "Today" is a song by American alternative rock band the Smashing Pumpkins, written by lead vocalist and guitarist Billy Corgan. The song, though seemingly upbeat, contains dark lyrics; Corgan wrote the song about a day in which he was having suicidal thoughts. The contrast between the grim subject matter of the song and the soft instrumental part during the verses, coupled with use of irony in the lyrics, left many listeners unaware of the song's tale of depression and desperation. The song alternates between quiet, dreamy verses and loud choruses with layered, distorted guitars. "Today" was released in September 1993 as the second single from the band's second album and major label debut, Siamese Dream. "Today" and its follow-up "Disarm" are credited in AllMusic for popularizing the band and "sen[ding] [Siamese Dream] into the stratosphere". "Today" has been generally well received by critics; a Blender article described it as having "achieved a remarkable status as one of the defining songs of its generation, perfectly mirroring the fractured alienation of American youth in the 1990s". (Full article...)$

Image 3
"Today" is a song by American alternative rock band the Smashing Pumpkins, written by lead vocalist and guitarist Billy Corgan. The song, though seemingly upbeat, contains dark lyrics; Corgan wrote the song about a day in which he was having suicidal thoughts. The contrast between the grim subject matter of the song and the soft instrumental part during the verses, coupled with use of irony in the lyrics, left many listeners unaware of the song's tale of depression and desperation. The song alternates between quiet, dreamy verses and loud choruses with layered, distorted guitars.

"Today" was released in September 1993 as the second single from the band's second album and major label debut, Siamese Dream. "Today" and its follow-up "Disarm" are credited in AllMusic for popularizing the band and "sen[ding] [Siamese Dream] into the stratosphere". "Today" has been generally well received by critics; a Blender article described it as having "achieved a remarkable status as one of the defining songs of its generation, perfectly mirroring the fractured alienation of American youth in the 1990s". (Full article...)
Image 4

Simeon's Song of Praise, c. 1700–1710

Johann Sebastian Bach composed the cantata Mit Fried und Freud ich fahr dahin (German: [mɪt ˈfʁiːt ʔʊnt ˈfʁɔʏt ʔɪç ˈfaːɐ̯ daˈhɪn]; "With peace and joy I depart"), BWV 125, for use in a Lutheran service. He composed this chorale cantata in Leipzig in 1725 for the feast for the Purification of Mary, which is celebrated on 2 February and is also known as Candlemas. The cantata is based on Martin Luther's 1524 hymn "Mit Fried und Freud ich fahr dahin" and forms part of Bach's chorale cantata cycle, written to provide Sundays and feast days of the liturgical year with cantatas based on a related Lutheran hymn.

The gospel for the feast day, the presentation of Jesus at the Temple, includes Simeon's canticle Nunc dimittis, which Luther paraphrased in his hymn, providing an unusually close relationship between the hymn and the liturgical occasion. Bach had used single stanzas of the hymn in his early funeral cantata Gottes Zeit ist die allerbeste Zeit, BWV 106, and in cantatas of his first Leipzig cycle. (Full article...)
Image 5
Slay Tracks: 1933–1969 (usually referred to as Slay Tracks) is the debut EP by American indie rock band Pavement. Pavement—at that time, a duo of just its two founding members Stephen Malkmus (guitar, vocals) and Scott Kannberg (guitar)—recorded Slay Tracks with producer and future member Gary Young (drums) during a four-hour session. Pavement self-released the EP as a 7" vinyl record on the band's own record label Treble Kicker in 1989. The music of Slay Tracks was influenced by indie and punk rock bands such as Swell Maps and The Fall, and many of the lyrics were inspired by life in the band's hometown of Stockton, California.

Although only 1,000 copies of Slay Tracks were pressed, the EP became an underground hit. Upon release, the EP was critically praised by independently produced zines. The EP managed to generate buzz for Pavement in the UK after The Wedding Present's cover of the song "Box Elder" received some airplay from the famous radio disc jockey John Peel. The release and relative success of Slay Tracks was significant to Pavement's subsequent signing to Drag City, and later to Matador Records. The band's Westing (By Musket and Sextant) (1993) compiled the songs from the band's three EPs prior to their debut album Slanted and Enchanted: Slay Tracks, Demolition Plot J-7, and Perfect Sound Forever. The compilation allowed those songs to reach a wider audience than the EP's limited initial release. (Full article...)
Image 6

The Schlosskirche in Weimar

Erschallet, ihr Lieder, erklinget, ihr Saiten! (Resound, you songs; ring out, you strings!), BWV 172, is a church cantata by Johann Sebastian Bach, composed in Weimar for Pentecost Sunday in 1714. Bach led the first performance on 20 May 1714 in the Schlosskirche, the court chapel in the ducal Schloss. Erschallet, ihr Lieder is an early work in a genre to which he later contributed complete cantata cycles for all occasions of the liturgical year.

Bach was appointed Konzertmeister in Weimar in the spring of 1714, a position that called for the performance of a church cantata each month. He composed Erschallet, ihr Lieder as the third cantata in the series, to a text probably written by court poet Salomon Franck. The text reflects different aspects of the Holy Spirit. The librettist included a quotation from the day's prescribed Gospel reading in the only recitative, and for the closing chorale he used a stanza from Philipp Nicolai's hymn "Wie schön leuchtet der Morgenstern" (1599). (Full article...)
Image 7
"The One" is a song by American singer Tamar Braxton from her second studio album, Love and War, which was released on September 3, 2013. Braxton co-wrote the song with its producer, K.E. on the Track, along with LaShawn Daniels, Christian Ward, Jean-Claude Oliver, and Shaunice Lasha Jones. Epic and Streamline Records issued it as the album's second single on May 7, 2013. "The One" is about commitment to a romantic partner, and the production uses a sample of Mtume's "Juicy Fruit" (1983) and a portion of the Notorious B.I.G.'s "Juicy" (1994).

The song received positive reviews from critics who associated it with summer and praised Braxton's vocals. Reviewers commented on the use of samples, believing they were already overused in past music. The single peaked at number four on Billboard's Bubbling Under Hot 100 and number 34 on the Hot R&B/Hip-Hop Songs, and was certified Gold by the Recording Industry Association of America. Gil Green directed the music video, which features Braxton on a date at the Santa Monica Pier. Braxton further promoted "The One" through live performances, including on her Love and War Tour in 2014. (Full article...)
Image 8
"Habits (Stay High)" is a song recorded by Swedish singer Tove Lo from her debut extended play (EP), Truth Serum, and her debut studio album, Queen of the Clouds (2014). It was written by Lo with Ludvig Söderberg and Jakob Jerlström, while it was produced by the latter two under the production name the Struts. Initially, the singer self-released the song under the title "Habits" on 15 March 2013 as her second independently released single. After Lo was signed to Universal Music, the track was re-released on 6 December 2013 under the title of "Habits (Stay High)" as both the second single from Truth Serum and the lead single from Queen of the Clouds. Musically, it is a pop and electropop song which features a minimal and upbeat electronic instrumentation. Its lyrics delve into the singer's attempts to forget her previous boyfriend through substance abuse, drinking and other hedonistic practices. Consequently, some critics and Lo herself noted a contrast between the song's production and its lyrical content.

"Habits (Stay High)" was well received by most critics, who commended its lyrics and production. The track became a sleeper hit; it entered the music charts in 2014, one year after its original release. The recording peaked at number three on the Billboard Hot 100 in the United States and became the highest-charting song by a Swedish artist on that chart since "The Sign" by Ace of Base peaked at number one in 1994. It was certified 8× platinum by the Recording Industry Association of America (RIAA) and has sold over 2.6 million copies in the country. Additionally, the track topped the charts in Poland and Romania, and peaked within the top ten in Austria, Canada, France and Switzerland, among others. (Full article...)
Image 9
"Like I'm Gonna Lose You" is a song by the American singer-songwriter Meghan Trainor from her debut major-label studio album Title (2015), featuring guest vocals from John Legend. Trainor wrote the song with Justin Weaver and Caitlyn Smith, and produced it with Chris Gelbuda. Epic Records released it as the album's fourth single on June 23, 2015. A soul love ballad, "Like I'm Gonna Lose You" is about savoring moments spent with loved ones and not taking them for granted.

Critics praised Trainor's vocals and the song's composition, but some thought its mellow style did not suit her. In the United States, "Like I'm Gonna Lose You" reached number eight on the Billboard Hot 100 and was certified 4× Platinum by the Recording Industry Association of America. It peaked at number one in Australia, New Zealand, and Poland, in the top ten in Canada and South Africa, and attained an 8× Platinum certification in Australia. (Full article...)
Image 10

Love in 2025

Courtney Michelle Love (née Harrison; born July 9, 1964) is an American singer, guitarist, songwriter, and actress. A figure in the alternative and grunge scenes of the 1990s, her career has spanned four decades. She rose to prominence as the lead vocalist and rhythm guitarist of the alternative rock band Hole, which she formed in 1989. Love has drawn public attention for her uninhibited live performances and confrontational lyrics, as well as her highly publicized personal life following her marriage to Nirvana frontman Kurt Cobain. In 2020, NME named her one of the most influential singers in alternative culture of the last 30 years.

Love had an itinerant childhood, but was primarily raised in Portland, Oregon, where she played in a series of short-lived bands and was active in the local punk scene. After briefly being in a juvenile hall, she spent a year living in Dublin and Liverpool before returning to the United States and pursuing an acting career. She appeared in supporting roles in the Alex Cox films Sid and Nancy (1986) and Straight to Hell (1987) before forming the band Hole in Los Angeles with guitarist Eric Erlandson. The group received critical acclaim from underground rock press for their 1991 debut album Pretty on the Inside, produced by Kim Gordon, while their second release, Live Through This (1994), was met with critical accolades and multi-platinum sales. In 1995, Love returned to acting, earning a Golden Globe Award nomination for her performance as Althea Leasure in Miloš Forman's The People vs. Larry Flynt (1996), which established her as a mainstream actress. The following year, Hole's third album, Celebrity Skin (1998), was nominated for three Grammy Awards. (Full article...)
Image 11
"Paint It Black" is a song by the English rock band the Rolling Stones. A product of the songwriting partnership of Mick Jagger and Keith Richards, it is a raga rock song with Indian, Middle Eastern and Eastern European influences and lyrics about grief and loss. London Records released the song as a single on 7 May 1966 in the United States, and Decca Records released it on 13 May in the United Kingdom. Two months later, London Records included it as the opening track on the American version of the band's 1966 studio album Aftermath, though it is not on the original UK release.

Originating from a series of improvisational melodies played by Brian Jones on the sitar, the song features all five members of the band contributing to the final arrangement although only Jagger and Richards were credited as songwriters. In contrast to previous Rolling Stones singles with straightforward rock arrangements, "Paint It Black" has unconventional instrumentation, including a prominent sitar, the Hammond organ and castanets. This instrumental experimentation matches other songs on Aftermath. The song was influential to the burgeoning psychedelic genre as the first chart-topping single to feature the sitar, and widened the instrument's audience. Reviews of the song at the time were mixed, and some music critics believed its use of the sitar was an attempt to copy the Beatles, while others criticised its experimental style and doubted its commercial potential. (Full article...)
Image 12
Freak Out! is the debut studio album by the American rock band the Mothers of Invention, released on June 27, 1966, by Verve Records. Often cited as one of rock music's first concept albums, it is a satirical expression of guitarist/bandleader Frank Zappa's perception of American pop culture and the nascent freak scene of Los Angeles. It was the second rock music double album ever released, following Bob Dylan's Blonde on Blonde just one week earlier, as well as the first double debut album by a rock artist. In the UK, the album was originally released as an edited single disc.

The album was produced by Tom Wilson, who signed the Mothers, formerly a bar band called the Soul Giants. Zappa said many years later that Wilson signed the band to a record deal under the impression that they were a white blues band. The album features Zappa on vocals and guitar, along with lead vocalist/tambourine player Ray Collins, bass player/vocalist Roy Estrada, drummer/vocalist Jimmy Carl Black and guitar player Elliot Ingber, along with appearances from several session musicians. (Full article...)
Image 13
Beecham rehearsing in 1948
Sir Thomas Beecham, 2nd Baronet, (29 April 1879 – 8 March 1961) was an English conductor and impresario best known for his association with the London Philharmonic and the Royal Philharmonic orchestras. He was also closely associated with the Liverpool Philharmonic and Hallé orchestras. From the early 20th century until his death, Beecham was a major influence on the musical life of Britain and, according to the BBC, was Britain's first international conductor.

Born to a rich industrial family, Beecham began his career as a conductor in 1899. He used his access to the family fortune to finance opera from the 1910s until the start of the Second World War, staging seasons at Covent Garden, Drury Lane and His Majesty's Theatre with international stars, his own orchestra and a wide repertoire. Among the works he introduced to England were Richard Strauss's Elektra, Salome and Der Rosenkavalier and three operas by Frederick Delius. (Full article...)
Image 14
3 of Hearts is the eponymous debut studio album by American girl group 3 of Hearts. It was released on July 24, 2001, through the record label RCA Nashville. 3 of Hearts is a teen pop and country music album, though according to some music critics, it leans more towards pop music. The album was managed by American producer Byron Gallimore; its marketing focused on the group's crossover appeal to target a teenaged and young-adult audience. 3 of Hearts performed on two national tours sponsored by Seventeen magazine and Walmart respectively, and the singers were featured in several marketing campaigns.

Reviews of 3 of Hearts were mixed; some critics praised the group's vocals and public image, but others criticized the songs as generic and lacking an authentic country sound. The album peaked at number 45 on Billboard's Top Country Albums chart. Two singles – "Love Is Enough" and "Arizona Rain" – were released and made appearances on the Country Airplay Billboard chart. The album's low sales and lack of appeal to country radio audiences led to RCA dropping the group. (Full article...)
Image 15
"Breakdown" is a song recorded by American singer Mariah Carey for her sixth studio album, Butterfly (1997). In the lyrics, she describes the aftermath of a partner ending their love for the other and the trouble of hiding the pain it caused. The track features rapping by Krayzie Bone and Wish Bone, members of the group Bone Thugs-n-Harmony. Before they wrote and performed their raps, Carey composed the music with Stevie J and penned her lyrics. The latter pair produced "Breakdown" with Sean "Puffy" Combs. An R&B, hip hop, and hip hop soul song, "Breakdown" features keyboards, synthesized drums, and background vocals prominently. Columbia Records released it to American rhythmic contemporary radio stations in January 1998 as the third single from Butterfly.

Critics judged "Breakdown" in relation to Carey's previous work and considered the collaboration with Bone-Thugs-n-Harmony successful. Some perceived it to be about the recent separation from her husband Tommy Mottola, which she denied. Carey publicly criticized Columbia for a perceived longstanding anti-R&B bias against her music after it did not release the song to retail outlets in the United States. "Breakdown" was thus initially ineligible to appear on the Billboard Hot 100 chart. It was later issued as a double A-side with "My All" and reached number four on Hot R&B Singles. "Breakdown" experienced consistent airplay on American urban contemporary radio stations and it became Carey's longest-running title on Hot R&B Airplay until 2005. Elsewhere, "Breakdown" peaked at number four in New Zealand and number thirty-eight in Australia. (Full article...)

More Featured articles

Selected pictures

Image 1
L'éclair
Illustration: Paul Gavarni; restoration: Adam Cuerden
L'éclair is an opéra comique in three acts by Fromental Halévy to a libretto by Jules-Henri Vernoy de Saint-Georges. Premiered by the Paris Opéra-Comique at the Salle de la Bourse on 16 December 1835, the opera was well received. It follows the amours of the Englishman George and the American Lyonel for two sisters, the bachelorette Henriette and the widow Mme. Darbel.
More selected pictures
Image 2
Ariadne auf Naxos
Illustration credit: unknown
Ariadne auf Naxos ('Ariadne on Naxos'), Op. 60, is an opera by Richard Strauss with a German libretto by Hugo von Hofmannsthal. Combining slapstick comedy and consummately beautiful music, the opera's theme is the competition between high and low art for the public's attention. The opera was originally conceived as a 30-minute divertissement to be performed at the end of Hofmannsthal's adaptation of Molière's play Le Bourgeois gentilhomme. Besides the opera, Strauss provided incidental music to be performed during the play. In the end, the opera was ninety minutes long, and the performance of the play and opera together totalled over six hours. It was first performed at the Staatsoper Stuttgart on 25 October 1912, directed by Max Reinhardt. The combination of the play and opera proved to be unsatisfactory to the audience: those who had come to hear the opera resented having to wait until the play finished. The work was revised in 1916, with the play being replaced by a prologue, and first performed at the Vienna State Opera on 4 October of that year.

This picture is the cover of a vocal score of the revised edition of Ariadne auf Naxos, published in 1916.
More selected pictures
Image 3
Ane Brun
Photo: Benoît Derrier; edit: Keraunoscopia
Ane Brun (b. 1976) is a Norwegian songwriter, guitarist and vocalist. She has recorded eight albums, starting in 2003 with Spending Time with Morgan.
More selected pictures
Image 4
Mary Lou Williams
Photograph credit: William P. Gottlieb; restored by Adam Cuerden
Mary Lou Williams (May 8, 1910 – May 28, 1981) was an American jazz pianist, arranger, and composer. She wrote hundreds of compositions and arrangements and recorded more than one hundred records. Williams wrote and arranged for Duke Ellington and Benny Goodman, and she was friend, mentor and teacher to numerous other jazz musicians. The second of eleven children, she was born in Atlanta, Georgia, and grew up in the East Liberty neighborhood of Pittsburgh, Pennsylvania. A young musical prodigy, she taught herself to play the piano at the age of three. This photograph of Williams at the piano was taken by William P. Gottlieb around 1946.
More selected pictures
Image 5
Simon Neil
Photograph: Achim Raschka
Simon Neil (b. 1979) is a Scottish vocalist, guitarist, and songwriter. Born in Irvine, he established the band Biffy Clyro in 1995 with James and Ben Johnston. He has also played with JP Reid of Sucioperro in Marmaduke Duke, using the pseudonym "The Atmosphere", and started a solo career.
More selected pictures
Image 6
Nicholas Lanier
Painting credit: Anthony van Dyck
Nicholas Lanier (baptised 10 September 1588 – buried 24 February 1666) was an English composer and musician; the first to hold the title of Master of the King's Music, in the service of Charles I and Charles II. He was one of the first composers to introduce monody and recitative to England.

After this oil-on-canvas portrait was painted by the Flemish painter Anthony van Dyck in Antwerp, Lanier convinced the king to bring van Dyck to England, where he became the leading court painter. The portrait displays an attitude of studied carelessness, often termed sprezzatura, defined as "a certain nonchalance, so as to conceal all art and make whatever one does or says appear to be without effort and almost without any thought about it". The painting now hangs in the Kunsthistorisches Museum in Vienna.
More selected pictures
Image 7
Bessie Smith
Photograph credit: Carl Van Vechten; restored by Adam Cuerden
Bessie Smith (April 15, 1894 – September 26, 1937) was an American blues singer widely renowned during the Jazz Age. She is often regarded as one of the greatest singers of her era and was a major influence on fellow blues singers, as well as jazz vocalists.

Born in Chattanooga, Tennessee, her parents died when Smith was young, and she and her sister survived by performing on the streets of Chattanooga, Tennessee. She began touring and performed in a group that included Ma Rainey, and then went out on her own. Her successful recording career began in the 1920s, until an automobile accident ended her life at age 43.
More selected pictures
Image 8
Le mage
Poster credit: Alfredo Leonardo Edel; restored by Adam Cuerden
Le mage is an opera in five acts by Jules Massenet to a French libretto by Jean Richepin. First performed at the Paris Opera in 1891, it has rarely been performed since its premiere run of 31 performances, and is one of Massenet's least-known operas. A rare complete concert performance took place at the Massenet Festival in Saint-Étienne in 2012. This poster by Alfredo Edel was produced for the opera's premiere on 16 March 1891.
More selected pictures
Image 9
Nelly Martyl
Photograph credit: Jean Reutlinger; restored by Adam Cuerden
Nelly Martyl (1884–1953) was a French opera singer. She sang in the premieres of several operas, including Leborne's La Catalane (1907), Erlanger's La Sorcière (1912), and Massenet's Amadis (1922). Martyl joined the Red Cross as a nurse during the First World War, and served at the Battle of Verdun in 1916, where she was known as la fée de Verdun (the Fairy of Verdun), and at the Second Battle of the Aisne in 1917. She continued as a nurse after the war to help with the 1918 epidemic of Spanish flu. She was awarded the Croix de Guerre with the carte du combattant (signifying service under particular hazard) in 1920.
More selected pictures
Image 10
Les Troyens
Illustration credit: Antoine Barbizet; restored by Adam Cuerden
Les Troyens (The Trojans) is a French grand opera in five acts by Hector Berlioz, with a libretto written by the composer himself based on Virgil's Aeneid. The score was composed between 1856 and 1858, but Berlioz did not live long enough to see the work performed in its entirety. The first two acts were performed separately under the title La Prise de Troie. This picture shows the cover of the first-edition vocal score for La Prise de Troie, published in 1863.
More selected pictures
Image 11
Fervaal
Illustration credit: Carlos Schwabe; restored by Adam Cuerden
Fervaal is an opera with a prologue and three acts by the French composer Vincent d'Indy. Fervaal is the son of a Celtic king and is destined to be the last advocate of the old gods. His mission is to save his homeland from invasion and pillage, but in doing so he must renounce love. This illustration, by the Swiss painter Carlos Schwabe, relates to the 10 May 1898 premiere of the opera at the Théâtre de l'Opéra-Comique in Paris. Here, Fervaal is depicted ascending a mountain while carrying the body of his beloved Guilhen at the end of the opera, as the pagan gods and their worshippers fade out of existence with the dawn of Christianity.
More selected pictures
Image 12
Vexi Salmi
Photo: Teemu Rajala
Vexi Salmi is a popular Finnish lyricist who has become popular through the successes of the platinum-selling music artists for whom he writes. During his prolific career, he has written the lyrics for over 4,000 songs, more than 2,400 of which have been recorded by prominent artists such as Irwin Goodman, Jari Sillanpää, and Katri Helena. A music writer's award, the Vexi Salmi Award, is named after him.
More selected pictures
Image 13
Henrik Freischlader
Photograph: Stefan Krause
Henrik Freischlader (b. 1982) is a German blues guitarist and singer. He began his career in 1998, and established his own label, Cable Car Records, in 2009.
More selected pictures
Image 14
Hayley Williams
Photograph: Sven-Sebastian Sajak
Hayley Williams (born December 27, 1988) is an American singer, songwriter, musician, and businesswoman. She serves as the lead vocalist, primary songwriter and occasional keyboardist of the rock band Paramore. Born in Meridian, Mississippi, Williams moved to Franklin, Tennessee, at the age of fifteen after her parents divorced. In 2004, she formed Paramore alongside Josh Farro, Zac Farro, and Jeremy Davis. The band currently consists of Williams, Farro and Taylor York. They have released five studio albums: All We Know Is Falling (2005), Riot! (2007), Brand New Eyes (2009), Paramore (2013) and After Laughter (2017).
More selected pictures
Image 15
Thelonious Monk
Photograph credit: William P. Gottlieb; restored by Adam Cuerden
Thelonious Monk (October 10, 1917 – February 17, 1982) was an American jazz pianist and composer, and the second-most-recorded jazz composer after Duke Ellington. He had a unique improvisational style and famously remarked, "The piano ain't got no wrong notes". He made numerous contributions to the standard jazz repertoire, including "'Round Midnight", and a wide range of other compositions. He was renowned for a distinctive dress style, which included suits, hats, and sunglasses. He had disappeared from the scene by the mid-1970s and made only a few appearances during the final decade of his life. This 1947 photograph of Monk was taken by the American photographer William P. Gottlieb in Minton's Playhouse, a jazz club in New York.
More selected pictures

edit

Related portals

Did you know (auto-generated)

... that baritone Simon Neal's 2020 performance as Don Pizarro in Beethoven's Fidelio included riding a horse on the stage of the Royal Opera House?
... that the Lisdoonvarna Music Festival was described as Ireland's version of the Woodstock music festival?
... that Metropolitan Opera director Maurice Grau was "important in the growth of popular musical theatre in America"?
... that the publication of Paul Creston's saxophone sonata was delayed by a "rat with a toothbrush mustache"?
... that Samuel Barber said that he could not adequately play his own Piano Sonata?
... that Alexander Goehr formed New Music Manchester, described as a "distinctive, progressive force", with Peter Maxwell Davies, Harrison Birtwistle, Elgar Howarth and John Ogdon?